Posts Tagged ‘illustration’

I spent some time last week doing pen and wash sketches of various kitchen items and various foodstuffs – mostly cakes and pastries. They are not meant to be accurate, rather an indication. And in the case of the kitchen items, I tried to remove mention of any branding but keep colours close enough that they would be recognisable for what they are.

I owe much to Yasmina Creates for kicking me off on this path although, as she told me, this is the first time she’s seen anything but pastries done in this style! Plus, I imitated her trademark flowery offerings by trying an image in similar style. Is this a style I want to pursue? Who knows? It could come in useful for illustration purposes. I certainly take to watercolour more when it’s used like this. We’re maybe not quite friends yet, but me and my pan sets are getting more of an acquaintance relationship recently 🙂

Eleanor Patrick cakes and pastries

Eleanor Patrick kitchen stuff

flower and wash2

The NHS in the UK has an acronym, CLANG, that stands for Connect, Learn, be Active, Notice and Give back – all things we should do every day to stay in a state of mental wellbeing. I hate being told what to do, but it did make some sense, so I self-initiated a task based on CLANG.

Here is the result. Looking at it on a non-retina screen, I do think I will go back in to each and make the highlighted word red instead of green. But apart from that, I am well pleased with my week’s efforts. Hope you like them. There is a certain satisfaction in making them all match in terms of colour and style, just like when I draw a child doing different things but always recognisable.

clang-x5-screenshot

Lots of illustrators’ sites have a few pieces labelled ‘personal project’ and I suppose everything I have ever done has been that. I mean, we all choose what to write, what to draw, what to paint – until someone commissions us to do it for a price, that is!

Well, while waiting for that lucky break, I decided to do a set of images in the same style. Just because. I suppose I had in mind that I wanted to pitch an article to a particular magazine. I still intend doing so, and they won’t want my images because they’re not in their house style. But it did set me off thinking how I might illustrate such an article if the style choice were mine. And this is the result.

active-kids

I drew in HB on cartridge paper in my sketch book, scanned in the images, locked the unused pixels and painted the lines whichever colour I wanted, and then added some colouring and some photo-image backgrounds blended in. Do they look like a set? I gave them all a light source and something coming out of the frame, plus the frame in a frame as if watching. And the hand-drawn look, of course.

I chose air, water and fire as my topics: taking one’s children out to a dark place to inspect the stars; investigating how quickly a hot drink cools (I decided against adding a graph into the image but you would record the results over time); and cooking dampers on a campfire in the garden (not on a modern barbecue!) for which they had gathered the twigs and wood to do so. These are not things many urban kids do these days.

I read on a website that it was possible to use a gouache and Indian ink technique to  imitate a woodblock printing, complete with stray dots of black on it and rough edges! You can find the post here on Elfwood. You paint thick gouache on watercolour paper, let it dry, cover it with Indian ink (evenly, I discovered), and when dry rinse it thoroughly and the gouche lifts off the ink (mostly, leaving the famous dotty effect), and embeds itself in anything you left plain paper.

Needing a good distraction from cleaning the house or fathoming how to use Instagram on my desktop (have found that using Gramblr is the solution), I spent time over four days making four images – the pre-image (which I won’t show you) was a disaster, as I mistakenly used soluble ink. I then dug out the real stuff and had more success.

assembled-woodblock-images

However, it is time consuming, if fun, and I need to get some editing done this week too. I was disappointed, also, not to get the really bright afterimage that the author of the Elfwood post did. Might be my limited selection of 3 cool and 3 warm of each of the primary colours. Mixing greens and oranges, for instance, led to one or the other ingredient rinsing off faster than the other, thus changing green to yellowy green pretty fast, and orange to a pale shadow of itself. Sad really.

I do like the vignetted edges I introduced, though, and I consider the time well spent 🙂

I have now also set myself up at eleanorpatrickillustrator on Instagram.

I spent yesterday upgrading (ruining?) my illustration portfolio site. I think it works now. At one point it had no home page and now it probably has two of every page, but if I delete one, the other goes too. Since I first started with WordPress, they have upped their offerings, complexity, usefulness and instructions so much that I find it hard to manage my way through to do what I want.

I had two aims in mind:

  1. Limit what was on the site so that art directors could immediately find relevant, good stuff.
  2. Make the landing page be the portfolio itself. In other words ‘About’ could be less obvious at first.

You know how they say, with editing your novel, ‘kill your darlings’? Well, I’ve removed my fine art and my sketches and my photo artistry images. I’ll decide what to do with those later. They are not going to aid my illustration aims, so they had to go. Focus, focus!

What is left is a portfolio of editorial illustration and a portfolio of children’s illustration. I shall regularly add new work and remove older stuff. There’s a lot of competition out there and I need to make it easier to be seen, and to develop my style in each discipline to be recognisable. Hopefully desirable too.

The two portfolios that now remain sit side by side (by some miracle at midnight!) and my next aim is to make the images within them sit in a block too. I have no idea how, but it can be done, they say.

If you want to look and offer feedback, that would be great. If you understand how the Qua theme works, even better. I’m all ears 🙂 You can find me at eleanorpatrickillustration.com.

Here is my latest biro girl with background. Exam results came out last week.

certificate girl

I spent a long time doing biro sketches of children last year. I still love using a scribbly biro and have been tempted to ditch heavier ink outlines and revert to type!

Anyway, I just painted this little toddler tennis star and was wondering about a background for him. I decided to sketch the flowers in his garden in biro (ball point, if you call it that), and then simply locked the unused pixels on the flower layer and brushed various colours over the linework to make a background without it being intrusive.

I had my doubts at first, despite liking it, but then changed it to mono to check the tonal range of the whole piece, and it’s not bad. In a picture book, it would need some darker darks somewhere.

I’ll put both colour and mono versions here so you can see for yourself what you think of ‘coloured’ biro backgrounds of this sort! The mono version would probably work quite well for a chapter book illustrated in black and white. I think I always assumed they were done in shades of grey but recently saw some artist finals for a chapter book and they were in colour, although eventually printed in mono. I live and learn!

tennis toddler with flowers

tennis toddler with flowers 2

 

 

Despite being super busy on journal work, I have actually done some personal tasks on pushing my writing out there and assembling various pots of illustration work that someone or other might see one day. There’s always hope. But no hope at all if I don’t tell anyone I’m illustrating! It’s always been like that with the writing. If I don’t send it out, how will an editor or agent know I’ve written the bestest young adult novel in the world??

So, what have I done? It amounts to this:

  • Put myself on the Association of Illustrators site with a portfolio
  • Remove my writing site from one provider to another to save some money and bring it up to date
  • Produce some more work in Adobe Illustrator (Ai)
  • Print a picture book text on one side of a postcard (well, they’re always short!) and put a sample picture spread on the back, ready to mail to a few children’s publishers
  • Print out on A4 a sample sheet of my artwork (either children’s or editorial) ready to send to art directors today.

For a week when I was also fighting a losing battle against rampant loosestrife in the garden (garden? a.k.a wilderness), that was a pretty impressive list of achievements, usually known as getting off one’s backside 🙂

Here are some Ai flowers for you. They may not see the light of day anywhere else, but they’re fun to do. Composition could be improved, of course; I just like the effect of cutting down on glue! Have a look before they drop off the page…

new flowers